The issue at hand is Corbis' methodology for registering images, which it has been handling the same way for almost every photographer, because the contractual language has been the same, for a very long time. The problem is, Corbis relied on direction not consistent with the statues and, it seems, in direct contradiction to the intent and spirit of the copyright registration procedures, when executing their registrations. Further, the US Copyright Office approved these flawed registrations, apparently, at the urging of Corbis.
Photographers contracts included the following language, as outlined on the court's order:
The agreements "grant to [Corbis] legal title in [Marc and David Muench's] images selected and digitized by Corbis and included in the Corbis digital collection solely for the purposes of copyright registration." Id. (emphasis in original).) After registration, Corbis agreed that it would "promptly reassign legal title to [Marc and David Muench] with respect to [their] registered original film images . . . "If you are a Corbis contributor, and If that language looks familiar to you, then the court has also just set forth a path for every copyright registration that included your image(s) you submitted to Corbis to be invalidated. I first became aware of this issue when I viewed, first-hand, several Corbis registrations, which included images from hundreds of photographers, including the iconic black-and-white image of John F. Kennedy Jr saluting his fathers casket as it processed by, made back in 1963. I later learned from the Copyright Office that the justification for the inclusion of that image by Corbis was that it was an addition to a database, and that, further, certain things (retouching/dust-spotting/metadata/etc) were the justifications for the registration. From my perspective, these additions were deminimus to the creative content as a whole, and should not have been valid grounds for a registration, and I immediately was concerned for every Corbis photographer.
(Continued after the Jump)
We have been monitoring this case because of it's long-reaching impact on the field of photography and copyright registration, and was just able to download the file from a document filing service. In the court order, the court specifically addresses the copyright registration procedures, tries where it can to defer to the interpretations of the Copyright Office, but ultimately finds that Corbis was in the wrong. In the order, the court analyzed the facts thusly:
The Court is faced with the novel question of whether the registration of an automated database--here, a compilation of photographs by different photographers--by a third-party copyright claimant that has been assigned the rights to the individual works for the purposes of copyright registration registers the individual works thereby permitting the individual photographers to sue for copyright infringement.The court, rather than trying to interpret certain issues at hand, among many other reasons for invalidating Corbis' methodology, notes that "A plain reading of § 409 of the Copyright Act mandates that the copyright registrations at issue here contain the names of all the authors of the work..." which Corbis did not do, among other things.
Then, in the court order, the court writes:
"The Court is not persuaded by MPI/s "doomsday scenario" that by granting Defendants motion millions of copyright registrations will be voided. Nothing could be further from the truth. Because Corbis is the author of the compilation the registration of the compilation remains valid. The individual works, however, are not registered."The order goes on:
"The Court's ruling, although a seemingly harsh result for MPI, is guided by the clear language of the Copyright Act. The Court does not fault MPI for its failed forts to comply with the registration process. Indeed, from the record presented to the Court, it appears MPI's actions were completely appropriately sought the approval of the Copyright Office to ensure compliance with the statute. Unfortunately, MPI received poor advice and is now deprived, at least at this juncture, of the ability to seek statutory damages with respect to the Images not registered by MPI."The conclusion of the court is that:
"For the foregoing reasons, Defendants' motion for summary judgment [dkt. no. 32] is GRANTED in part and DENIED in part. Defendants' motion is granted with respect to all of the Images except those Images registered by David Muench in January 1996."Understand - this court order is a "summary judgement", in other words, the court didn't even begin to hear the cases of both sides - the argument by the defendant was so overwhelming, that there was no reason to actually move forward with the case.
As Corbis photographers, priority #1 right now should be to quantify which of your images were accepted by Corbis (and may now have invalid registrations) and begin the process of registering properly those images, as they are the most at risk of infringement right now, since it's open season on Corbis' images. If infringed, at any time in the past, and until you submit a new registration, you may find yourself without statutory damages and attorneys fees because of the Corbis error.
Priority #2 will be to quantify how much money you will have to spend to do this, and see if your contract allows you to recoup that money, or if the best course of action is a class action lawsuit (if it can be brought, subject to the terms of the contracts signed by the individual contributors, of course.)
Here's the entire 24 page order:
Usdc Sdny 09cv2669 Order
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